Susan S. Bean, former senior curator at Peabody Essex Museum spotlights Bengal’s raw clay art
However, the impermanent, brightly hued gods and goddesses of unfired clay mass-produced in the bylanes of Kumartuli in Calcutta and Ghurni in Krishnanagar, admired and much photographed though they are for the skill that goes into their making, do not command a high place in the hierarchy of visual arts
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